The film is recorded with a single steady camera alone, metaphor of the inquisite look upon bodies.
The Stadium de Vitrolles and its countryside serve as a background to this short movie. The four company’s dancers will support the subject of the choreography with a powerful movement overthrowing the prejudices about a « feminine » dance. Both actress and victims of sexist situations, both producer and screen fantasy objects, they are the refection of gender discriminations and activist of a new sexism-free world.
The scenography, metaphor of a body-object and media stigmas, will integrate two screens and specific sets. |
Credit : Jean Barak
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